The Lonely Child project was initiated in January 2017. The core members of the project are Soprano Stacie Dunlop, Composer/Arranger/Musical Director Scott Good and Circus Artists Angola Murdoch and Holly Treddenick. It is a three stage creation project:
For the first stage (March 2019) a new arrangement was created of Claude Vivier’s Lonely Child (originally composed for soprano and chamber orchestra) by composer/arranger Scott Good for singer (soprano Stacie Dunlop), pre-recorded instrumentals, and reimagines it in a dramatic setting by animating the role of the child sung by soprano Stacie Dunlop, while his dream world is brought to life through the choreography of aerialists Angola Murdoch and Holly Treddenick.
A stunning example of modernist composition, Lonely Child is an account of both affirmation and tragedy. A grant was received from the Canada Council of the Arts to support the initial exploration/creation stage of this project, with the first workshop stage being completed in March 2019. A second grant was received from the Canada Council of the Arts to support the next stage of the projects development that will include the addition of 8 instrumentalists (string quartet, double bass, percussion and 2 accordion) and concentrate on refinement of the choreography and integration of the instrumentalists to the piece. The work for this stage will began in February 2020 and was scheduled to culminate in a private showing in April 2020. The work has been postponed temporarily due to COVID-19.
Once completed this version will be available to be produced with either recorded or live instrumentals.
The third stage for this project is currently in development and will see the Lonely Child Project at the core of a 70-minute production. With this vision in mind, the Lonely Child Project provides a wealth of potential as on its own, it can function as a powerful performance piece suitable for festival presentation, as the reduced orchestration will allow for many more wide-ranging performance opportunities. Due to its nature of being both an icon of modern classical composition, and a powerful expression of aerial dance, this work will be a good fit for both music and circus presenters.
Total running time: 19 minutes