Op-Ed: Ludwig Van
Where I write about Creativity in the Time of COVID-19 and how we revisioned the Lonely Child Project into a group project in isolation.
Where I write about Creativity in the Time of COVID-19 and how we revisioned the Lonely Child Project into a group project in isolation.
A follow up article to the first one from June 22nd, which received over 25,000 views. In this article I question the transition from CERB to a “Parallel EI” and mourn the complete shut down of the live performance industry.
An Op-Ed for Ludwig Van in response to my letter to Prime Minister Trudeau that addresses the need to find a long term solution to the ongoing COVID-19 pandemic situation for the arts sector specifically in regards to the CERB
An interview with James Strecker on the Lonely Child Project Stage 2 and the World Premiere of Abigail Richardson Schulte’s The Mermaid and the Fisherman along with the Sibelius Luonnotar in a debut performance with the Hamilton Philharmonic Orchestra, Gemma New, conductor
An interview with writer/critic Leslie Barcza in which he asks me about my life as an artist and the Lonely Child Project.
An interview with writer/critic James Strecker in which he asks me about my participation in the Advanced Pedagogic Group at the Centre Artistique International Roy Hart in Malérargues, France.
An interview with writer/critic James Strecker in which he asks me about my life as a creative being
A review of Hymns of Heaven and Earth by James Strecker
Where Michael Vincent asks me about my drink of choice, and it seems as if I share the same love of bourbon as does composer Nicole Lizée
An in depth interview with James Strecker as he finds out why I was compelled to dive so deep into the Kafka Fragments